In the year 1964, a group of teenagers on the verge of adulthood in Riverdale faces a conflict initiated by Hiram Lodge’s plan to construct a plaza in the cherished Green Park. The town’s citizens, bound by their love for the park, must unite to save it. Despite the promising elements of being a Bollywood musical, directed by Zoya Akhtar and featuring star kids from renowned families, “The Archies” falls short of expectations.
Set in a unique space between Bollywood spectacle and Indian OTT offerings, the film struggles to find its identity. While it lacks the grandeur of typical masala films, it also lacks the pacing and engagement of regular Indian OTT content. Despite its potential as a festive celebration, it sometimes feels like a cumbersome experience.
Although “The Archies” has commendable cinematography, world-building, and faithful adherence to the source material, it lacks the characteristic touch associated with Zoya Akhtar’s work. The film finds itself in an intriguing space where it could either pave the way for a new cinematic experience or remain a one-time experiment.
Despite the attention to detail and respect for the source material, the film occasionally loses its Bollywood essence. The dialogue appears clichéd, and the songs are forgettable, lacking the impact expected from a Bollywood musical. Emotions are resolved swiftly, leaving certain character developments feeling rushed and less believable.
The cast, comprising Indian star kids, delivers authentic yet mannered performances. Notably, Pakistani actor Alyy Khan shines as Hiram, portraying the suave antagonist with compelling ease.
Despite being the embodiment of everything the gang opposes, his portrayal makes viewers question their own moral compass.
In conclusion, “The Archies” is a mixed experience, oscillating between moments of fun and grooviness and periods of chore-like viewing. While it may appeal to fans of the comics, Zoya Akhtar, and Indian cinema, it falls short of delivering a cohesive and vital cinematic experience.
